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Mary Ann, The Forgotten Sister: 
a theatrical walking tour

Revolutionary, educationalist, businesswoman, feminist, social reformer and abolitionist, Mary Ann McCracken was one of the people that shaped the rapidly growing city of Belfast but was largely written out of history because she was a woman.

This powerful theatrical walking tour charts the life and times of this remarkable woman and her effect on Belfast during her 96 years.

……a fascinating way to gain knowledge of our past……

More than a beloved sister to Henry Joy but a sister to Belfast. Beloved of Belfast.

Hopefully, by knowing her story you’ll know her.And by knowing her, you’ll better know Belfast.

Written by Clare McMahon
Directed by Paula McFetridge
Presented by Kabosh

Beginning at Clifton Cemetery (Henry Street) and concluding at Clifton House

Performances run Thursday – Sunday only.

Thursdays/Fridays: 6PM
Saturdays: 11am + 2:30PM
Sundays: 11am + 2:30PM

Run Time: 80 Mins

Featuring Calla Hughes, Louise Mathews and Carol Moore.

Costume Design by Úna Hickey

Musical Direction by Jane Cassidy

Stage Manager: Debra Hill

Meeting Point: Clifton Cemetery (Henry Street)

End Point: Clifton House

Hidden Belfast

Think you know Belfast? Think again. Join authors Raymond O’Regan and Arthur Magee for an eye-opening journey through streets you thought you knew. Based on their bestselling books Hidden Belfast and The Little Book of Belfast, this entertaining tour reveals the secrets, stories and surprises hiding in plain sight around the city.

Perfect for locals who want to see their hometown through fresh eyes, this walk combines fascinating insights with plenty of humour, music and craic.

Enlightening, entertaining, and designed to make you look at the city differently, we guarantee good fun with guides who literally wrote the book on Belfast.

Listening Sets Provided

*Sunday May 3 tour dedicated to memory of Joe Breen. All proceeds to Community Rescue.

Please arrive 15 mins before departure.

Troubled

Written and performed by Suzy Crothers

It’s 1993, Mum won’t let Alice go to Funderland because Belfast is burning.

‘How about Robin Hood, Prince of Thieves and Chinese chicken balls instead?’ Fast forward to 2023, where Alice meets Tim, finally falling in love (finally) but can she escape the legacy of a childhood shaped by conflict or is this the moment everything unravels?  Troubled is an extraordinary tale of love, loss and human connection- told with tea and biscuits. 

Blending storytelling, projection, and audience interaction, Troubled reckons with the past, offering us renewed hope for the future.

 

REVIEWS

One of ‘The Young female stars of the fringe theatre’ (The Scotsman 2025)

⭐️FINALIST for the 2025 Mental Health Foundation Fringe Award in partnership with The Scotsman. 

The Scotsman: 4 STARS ‘Warm intelligence and humour and a steady supply of tea and biscuits’

️The List: ‘It might even change your life a little’

️The Irish Voice: ‘A brilliantly clever piece of theatre’, ‘Utterly captivating’, ‘She had us in the palm of her hand’

️One 4 Review: 4.5 STARS  ‘Her presence alone is magnetic’ ‘Intimate, generous and deeply human’ ‘Suzy Crothers holds the room in her thrall with an open heart and searing honesty’

️The Student Review: 4 STARS ‘Crothers’ performance style is one of immense charm’, ‘very effective and very moving’

️Fringe Review: ‘Highly recommended show’ ‘An impressive first solo show that lingers long after the biscuits have gone’ ‘Pacy, emotionally rich, disarmingly funny’

️What the fringe?!: ‘Highly commended show’ ‘This beautifully woven tale has you rooting for Alice till the end’, ‘Hope is here’

‘An excitingly honest depiction of the power of human connection told with exquisite language, stunning song and daring vulnerability’ – 
Haley McGee, Olivier Nominee 2022, Fringe First winner 2022.

‘warm intelligence and humour, and a steady supply of tea and biscuits’ – The Scotsman

‘An excitingly honest depiction of the power of human connection told with exquisite language, stunning song and daring vulnerability’ – Haley McGee, Olivier Nominee 2022, Fringe First winner 2022

 
 

Created with kind support from Arts Council England.

Thanks to: Lemn Sissay, Roisin Gallagher, Kate Baiden, Haley McGee, Georgia Hudson, Finbar Caules, Emily Carewe, Benn Keaveney, Tinderbox, Dr Emma Janes, Ellen Waghorn, Ruth Crothers, CCEN, all who contributed so generously to our crowdfunder.

Developed with Camden People’s Theatre, The Beaney Museum of Art and Knowledge, London Irish Centre, Crest Academy, Open School East, Arts Education Exchange, Dover Arts Development, Graeae, Paul Hamlyn Foundation, 1 Degree East.

TRIGGER WARNING: 

This performance containsreference to the ‘Troubles’ (including archive news footage), BPD, alcohol misuse, conflict within home/society, descriptive language around a mental health crisis (incl reference to self harm/ hearing voices/ suicidal ideation), cancer/ bereavement. 

Whilst these subjects are heavy, they are placed in the context of the lead character’s recovery journey and a feeling that a journey towards wellbeing is possible. 

Age recommendation: 16yrs+

ACCESSIBILITY:There will be music playing as part of this event, as well as sound effects, to set the scene, but no sudden loud bangs.  There will be no strobe or flashing lights. There may be haze used as part of this production. No other sensory aspects. 

If you have any questions about accessibility or trigger warnings please do get in touch.

Produced by Suzy Crothers LTD

Supported by – Roisin Gallagher and Patrick Handley

Directed by Amie Burns Walker

Creative associate – Annie Sutton

Movement direction by Nancy Kettle

Lighting and video by Rachel Sampley

Illustrations by Ruth Crothers

Sound by Ed Heaton

Dramaturgy by Adam Foster, Caroline Horton

Community facilitation by Annie Sutton

Access support by Ruth Mariner and Alice Dunham

With thanks Patrick Handley

Seamus Fogarty

CQAF is delighted to host this performance by Alt-folk alchemist Seamus Fogarty to celebrate the release of his new album Ships on Scottish label Lost Map Records, in partnership with Swedish label Sing A Song Fighter.

Packed with poignant and funny slice-of-life vignettes touching on everything from Geoffrey Chaucer to DIY coffins, and existing in a wonderful new sonic realm where songs and stories coexist peacefully with fragmentary electronics, drones and field recordings, Ships is his most expansive and uplifting collection of music to date.

Born and raised on the west coast of Ireland but living in London since 2010, Seamus released his debut full-length ‘God Damn You Mountain’ on cult Scottish label Fence Records (King Creosote, Jon Hopkins) in 2012.

This was followed by a pair of exceptional albums released via Domino Records – 2017’s The Curious Hand (“magical amplified folk journeys through modern life” ★★★★★– The Guardian) and 2020’s A Bag Of Eyes (“a gloriously trippy journey” – The Sunday Times).

His most recent release, the Hee Haw EP, was released on Lost Map Records in 2023 with the lead single ‘They Recognised Him’ receiving high praise from a range of DJs and personalities across the BBC and beyond including Oscar-winner Cillian Murphy who singled it out for recommendation on his Limited Edition show on  6Music (‘just brilliant’).

He has maintained a busy live schedule through 2025 opening two sold-out shows for Portishead’s Beth Gibbons in London’s Roundhouse &  Luxembourg’s Neumünster Abbey and sharing the stage with Mike Heron in  Queen Elizabeth Hall on the Southbank, and at End of the Road festival, as part of an all-star band assembled to celebrate the music of The Incredible String Band.  He also completed a sold-out Irish tour to celebrate the vinyl reissue of his debut album in the spring.
He has toured extensively around the UK, Ireland & Europe, both solo and with a range of artists including Lisa O’Neill and This Is The Kit,  and has appeared at many notable festivals including the main stage of Green Man, Eurosonic, Latitude, Electric Picnic, Mosely Folk & Haldern Pop. He has also appeared on  Other Voices in Ireland and recorded live sessions for Mark Radcliffe on  BBC Radio 2 and Cerys Matthews on BBC 6Music.

Recorded at studios in London, St Leonards-on-Sea and Margate and fine-tuned in his own home studio in Walthamstow, Ships boasts an incredible list of collaborators and musicians including string-arranger and multi-instrumentalist Emma Smith (Pulp, Beth Gibbons), drummers Chris Vatalaro (Anohni, Radiohead) and Aram Zarikian (Grasscut), and horn player Joe Auckland (Madness, Oasis).  Additional production and engineering comes from by Leo Abrahams (Brian Eno, Jon Hopkins) and Mike Lindsay (Tunng, Lump).

Derek Mahon – A Celebration with Stephen Rea, Katy Mahon and Stephen Sexton

Poems by Derek Mahon from The Poems: 1961-2020 (2021) are performed by kind permission of the Author’s Estate and The Gallery Press. www.gallerypress.com

Hosted by Hugh Oldling Smee.

Join us for an evocative evening of poetry and remembrance at the Carlisle Memorial Church, standing in the heart of the North Belfast streets that shaped one of Ireland’s greatest literary voices.  Returning to the neighbourhood of his youth, this special event honours Derek Mahon’s enduring legacy.

Experience Mahon’s poetry brought to life by an extraordinary cast, featuring intimate readings from his daughter,Katy Mahon, and readings from the iconic voice of Stephen Rea and Belfast poet Stephen Sexton.

They are joined by a selection of guest poets and friends to navigate the landscapes of displacement, history, and “the soul of things” that Mahon charted so masterfully.

Derek Mahon was widely regarded as one of the most talented and innovative Irish poets of the late 20th century. He was born in Belfast into a Protestant family to Norman Mahon, a shipyard fitter, and Maisie (nee Harrison), who worked in a linen factory. Affiliated with the generation of young poets from Northern Ireland who rose to prominence in the 1960s and 1970s, Mahon was best known for illuminating the ordinary aspects of daily life through his skillfully crafted verse. Often working in received forms, Mahon’s lucid, sculpted lines incorporated both classical allusion and contemporary life.  A voluntary exile from his native Belfast, Mahon explored themes of isolation, loneliness, and alienation in his poetry.

Cerys Hafana

Cerys Hafana is a Welsh composer, singer and multi-instrumentalist who mangles, mutates, and transforms traditional music. Cerys comes from Machynlleth, Wales, where rivers and roads meet on the way to the sea.

Hafana’s primary instrument is the Welsh triple harp with which they explore all its creative possibilities and unique qualities, playing with found sounds, archival materials and electronic processing. Their spellbinding music is rich with atmosphere and heart and stubbornly resistant to genre boxes and easy classification.

Angel, their latest album on Glitterbeat, released in Sept 2025, is a deep exploration of minimalism, traditional and avant-folk music, alternating between songs (all in Cymraeg) and instrumentals, often buoyed by a deft trio of sympathetic and exploratory musicians (drums, double bass, alto sax). In 2026, live shows will feature this dynamic new trio sound.
The uncommon breadth and innovation of Angel soundly confirms Hafana as one of the UK’s most exciting young contemporary folk artists, with The Guardian featuring it as Folk Album Of The Month.

Cerys has won over audiences from End Of the Road to the Eisteddfod and from BBC 6 Music Festival to Transmusicales with their magical, progressive sound.

“Angel is the third release by this piercingly beautiful singer and exceptional, adventurous musician in 18 months…. Hafana’s approach is endlessly inventive…the album overall has a profound impact, hymning the life cycle, and the fantastical properties of music and time, to stunning effect.” Jude Rogers, The Guardian

“It’s raw, urgent and affecting music, and it sets the tone for a hugely assured album that feels like a major arrival…Hafana builds hugely powerful swells of feeling and atmosphere, with their virtuosity on both harp and piano allowing a push beyond avant folk toward darkling, rain-washed minimalism and sharp-eyed jazznot-jazz. Don’t sleep.” The Wire

“Alternating between Welsh-language songs and instrumental pieces, Hafana essays a bold mix of folk tradition and auteur experimentalism …” UNCUT

“An album that solidifies Cerys Hafana’s position as one of the UK’s most exciting and genre-defying contemporary folk artists. Angel is a testament to their ability to create music that is both deeply rooted in tradition and boldly forward-thinking.” KLOF

Rob Newman: Where the Wild Things Were

From Rob Newman comes a barnstorming new stand-up show about where we are and where we’re going.

From future cities and philistine film directors to Dorothy Parker’s Multiverse Diaries. Throw in Pythagorean gangsters, intellectual bingo callers and a crazy character called Arlo – and the result is a hilarious tour-de force utterly unlike anything else you will ever see anywhere else.

★★★★“One of comedy’s most skilled performers… this is an exquisite, erudite, well-crafted show” – Evening Standard 

★★★★ – “Hugely entertaining, gleefully jaunty, and refreshingly intelligent… I loved it.” – The Guardian

“He is one amazing comedian” – Time Out   

“Intellectually charged and adorably ambitious…a delightfully digestible dose of brain food” – The Times    

Winner: Best Scripted Comedy – BBC Audio Drama Awards 2019  

Winner: Best Comedy with a live audience – BBC Audio Drama Awards 2019 

Willi Carlisle

Folksinger Willi Carlisle holds tight the conviction that love is bigger than hate, and no-one is expendable. Carlisle’s music has always been a dance between absurdity, spectacle, and philosophy.

On his fourth studio album, Winged Victory, Carlisle returns with his signature blend of traditionally-rooted folk music and kaleidoscope of oddball characters to confer with his core tenets in more overt and provocative ways.

Carlisle delivers Victory as the next chapter in his long-running direct address to the hope that by understanding our collective suffering we might be free of it. He’s intent on creating art and a well-rounded life in a broken world.

The idea began with 2022’s Peculiar, Missouri when Carlisle proclaimed “your heart’s a big tent, everybody gets in.” After gathering together all the world’s weirdos and misfits under the big tent, with 2024’s Critterland, Carlisle let them loose into the world. Now, on Winged Victory, they speak for themselves, unencumbered by social expectations.

Victory, Carlisle’s first self-produced album, will be released June 27 via Signature Sounds. It both indulges a few of his wildest dreams (including a version of Richard Thompson’s “Beeswing,” among several traditional folk song covers), and feels like the inevitable sequel to Critterland’s charismatic menagerie of chaos.

Though occasionally raunchy, and routinely provocative, Victory is not afraid to make a spectacle for the sake of a point. Victory should be understood as a reflection. It revels in the beauty of tiny, monetarily-worthless moments and things, offering with them a consideration of our innate humanity.

Death in Vegas

Death In Vegas, fronted by DJ-producer Richard Fearless, will make a return to CQAF for what will be their first performance in the city since their 2012 Festival show.

Last years’ Death Mask album came after a 10 year gap and saw the eclectic producer return from his other experimental journeys to the Death in Vegas moniker with a gritty, techno-oriented sound forged in his Metal Box studio

Formed in the mid-’90s Death In Vegas debuted with the snarling big-beat LP Dead Elvis, followed by the acclaimed second album The Contino Sessions, featuring alt-rock heavyweights such as Iggy Pop, Bobby Gillespie, and Jim Reid.

Never standing still, subsequent albums Scorpio Rising, Satan’s Circus, Trans-Love Energies and Transmission have seen the Death In Vegas catalogue grow to a unique, ever-intriguing journey through sound.

This event takes place in a licensed venue; therefore, admission to the performance is limited to guests aged 18+.

Kate Rusby

Affectionately known as the “First Lady of Folk”, Kate Rusby has become a cherished highlight at festivals around the world. With her distinctive Yorkshire warmth, captivating voice, and timeless songwriting, Kate brings a unique charm to every stage she graces.

A Mercury Prize nominee, recipient of multiple BBC Radio 2 Folk Awards and too many more accolades to mention, her live performances are renowned for blending heart, humour and an unmistakable connection with audiences.

Celebrating over 30 years in music, Kate’s setlist is a rich tapestry of traditional songs and her own compositions, ranging from poignant ballads to upbeat, singalong favourites. Her sound effortlessly transitions from intimate, delicate moments to expansive, lush soundscapes, creating an emotional journey that captivates every listener.

Her 2026 festival performances will feature selections from her acclaimed new album ‘When They All Looked Up’ alongside her enduring classics.

With a stellar band of world-class musicians, Kate’s shows are nothing short of magical. Fans can also expect a sprinkling of her famous between-song banter, ensuring smiles and an unforgettable experience all around. Come and see why Kate and her band are the heart and soul of every festival she plays.

Theatre

There’s very little, if anything, known about Limerick band Theatre, who seem to be moving in the shadows of Ireland’s explosive music scene.

The band, made up of Dara, Oscar, Sonny and Sean, have whipped up a storm of excitement through their outstanding live shows; gorgeous, emotive melodies and the stunning vocals of lead singer, Maeve.

Blending ethereal rock music with folk and shoegaze, the music is understated yet feels timeless, and their songs seem to enter your body, trance-like, and never leave.

Despite the spotlight shining so heavily on Irish music at the moment. Keeping a minimal online presence, the band are proving that when the music speaks for itself, it resonates the loudest.

‘Traces of A Traumatic Future’ : Frédéric Huska

Traces of A Traumatic Future

Frédéric Huska

Opening: 02/05/26- 20/06/26

Opening Event: 2/05/26 at 1pm

Lower Gallery

Golden Thread Gallery is presenting a new body of work by French artist Frédéric Huska, who is based in Northern Ireland. Working with photography, Huska explores the relationship between personal experience, time and landscape. This new exhibition features a series of black and white analogue photographs of Taiwan’s coastline, seen as places shaped by political tension and uncertainty.

The project focuses on fourteen beaches identified as possible landing sites in the event of invasion. Starting at the sea and moving inland toward the mountains, the photographs follow the shape of the land. The images hold a quiet tension, moving between distance and closeness, presence and absence.

The photographs suggest futures that may never happen, yet still influence how we see the present. Using analogue photography, Huska reflects on time, memory and how images carry traces of both past and future.

The work creates space for uncertainty. The landscapes feel both powerful and hard to define, shaped by global politics but open to different interpretations. The exhibition invites viewers to slow down and consider how we imagine what lies ahead.

The project began during an important moment in the artist’s life, marked by the death of his father and the birth of his daughter. This experience of loss and new life deepened his interest in questions about the future, vulnerability and hope.

Bio:

Frédéric Huska was awarded a three year residency at Fire Station Artists’ Studios in 2018. His work has been presented internationally, including a solo exhibition at The MAC, collaborative projects at PLACE and QSS Gallery, and a solo exhibition at Belfast Exposed. He has participated in group exhibitions including MAC International 2016, presentations at Ku Art Center, Kathleen Cullen Fine Arts, and National Portrait Gallery. He currently lectures at Ulster University and has led photography and reflective writing workshops at The Metropolitan Arts Centre as part of the Curatorial Directions Programme.

Traces of a Traumatic Future continues the artist’s sustained inquiry into the unstable ground between visibility and invisibility, past and future, and the political and the intimate.

‘Disposal of Fullness’ Sharon Kelly

Sharon Kelly’s practice mediates between memory, experience and imagination, working across 2 and 3D processes, including drawing, painting, print, sculpture and installation. Her work is concerned with the body; with marking and mapping the physical and psychological, exploring themes of fragility, resilience, liminality and transformation. Inspirations come from diverse sources such as anatomy, medicine, dressmaking and sport.

In this new body of work, present at Golden Thread Gallery,Kelly reflects on what remains hidden or unnoticed and how such absences shape our sense of identity and connection to the world around us. Through the use of worn clothing, vintage sewing patterns, and other delicate materials, Kelly delves into the emotional complexities of concealment and burden, uncovering traces of past lives and contemplating what is missing or left unfulfilled. Pockets become quiet repositories, holding secrets, forgotten memories, or unseen places, offering a space where the precious and the heavy coexist. In this excavation of personal history, Kelly explores themes of intimacy, emotional weight, and inherited burden, particularly through the lens of female experience.

Bio:
In 2023 she was awarded the Arts Council of Northern Ireland Major Individual Award, in recognition of her contribution to the arts. Recent work has been supported by The Pollock-Krasner Foundation Grant, New York, USA, 2022 and in 2023 she completed a fellowship at the British School at Rome, Italy.

Dawn Richardson & Chad Alexander: Dungannon Tropicana

Set around Tropicana Café on Scotch Street, beside Dungannon bus station, this film frames a single building as a living record of the town. Through interviews, on-site observation and archival material, Richardson and Alexander map how local life has been reorganised through work, movement, demographic change, and the pressures and possibilities of living together in Ulster’s most diverse town.

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The Cathedral Quarter Arts Festival and Out To Lunch are annual festivals of music, comedy, theatre, art and literature which take place in January and May in Belfast, Northern Ireland.

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Cathedral Quarter Arts Festival / Out To Lunch Arts Festival
Unit 8
Northern Whig House
Bridge Street
Belfast
BT1 1LU