Ibibio Sound Machine

Pull the Rope, the new record by Ibibio Sound Machine, casts the Eno Williams and Max Grunhard-led outfit in a new light.The hope, joy, and sexiness of their music remains, but, further honing the edge of their acclaimed 2022 album Electricity, the connection they aim to foster has shifted venues, from the sunny buoyancy of a sunlit festival to a sweat-soaked, all-night dance club. The atmosphere has changed, but you’re still having the time of your life.

Williams and Grunhard attribute this shift to a matter of collaborators, recording Pull the Rope with Sheffield-based producer Ross Orton (Arctic Monkeys, M.I.A.) over the course of two weeks. The way the pair wrote songs changed significantly — rather than Eno penning lyrics to music generated by Max and company’s jamming, Orton started with Eno and Max writing together before adding the band. With less time in the studio and a new way of considering how they built songs, the duo found making decisions about Pull the Rope’s sound quicker and more instinctually than before.

In melding their songwriting process, Grunhard and Williams have, impossibly, pulled the trick of making Ibibio Sound Machine a tighter band than ever before, building out from their core in a way that highlights the electrifying  group of musicians they play with. Rather than recording with the full band in the room, Pull the Rope was sculpted, elements added and shaped by Grunhard, Williams, and Orton along the way. As a result, Pull the Rope is a nimble, sleek machine that’s thrilling from the first note of the opening title track, Eno’s otherworldly voice and PK Ambrose’s throbbing bass driving through a kaleidoscopic array of house, post-punk, funk, Afrobeat and disco, bangers and ballads, making an argument for unity that begins on the dancefloor.

The sound of Pull the Rope, then, is hope in darkness, bliss in spite of bleakness. Once again, Ibibio Sound Machine are here to provide the soundtrack to the best night of your life, and the better world to come.

Katherine Priddy

Since emerging with her debut EP Wolf, UK singer-songwriter Katherine Priddy has quickly become one of the most exciting names on the British music scene.

Priddy’s haunting vocals and distinctive finger-picking guitar style have already seen her sell out a headline tour, perform at prestigious festivals around the UK and abroad, including Glastonbury where she featured on their BBC 2 coverage.

She has supported a number of world class artistsincluding Richard Thompson, Loudon Wainwright III and Vashti Bunyan, as well as a recent show with Guy Garvey at The Roundhouse. She also recently featured on a Double LP of Nick Drake coversreleased by Chrysalis Records with other artists such as Self Esteem, Aldous Harding and John Grant.

Her debut album, The Eternal Rocks Beneath was released in June 2021 to great acclaim. The album singles received 200+ plays across national radio including BBC Radio 6 Music and BBC Radio 2 and reached No.1 in the Official UK Folk Charts. Now, early 2024 sees the release of Priddy’s eagerly-awaited second album,The Pendulum Swing,on February 16th, via Cooking Vinyl. The LP explores themes of home, family, love and memory, as Priddy seeks to move forwards whilst acknowledging and honouring all that has gone before.

Her live performances are engaging, moving and amusing by turn, delivering original songs with emotional maturity, depth and particularly noteworthy lyrics. Despite the delicate nuances of her sound, Katherine Priddy is not a fragile wallflower, but a determined young woman making her mark.

Utterly brilliantone of my favourite voices in contemporary music– Guy Garvey, BBC 6 Music

An accomplished set of original songs delivered in a breathtaking voiceThe Observer

A voice of delicacy and poignancy with its own subtle strength underpinned by a skilled observer’s eye” –Mark Radcliffe, BBC Radio 2

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