Category: CQAF2025 – Words

Author John Higgs joins us in conversation about his new book.

On screen, Doctor Who is a story of monsters, imagination and mind-expanding adventure. But the off-screen story is equally extraordinary – a tale of failed monks, war heroes, 1960s polyamory and self-sabotaging broadcasting executives. From the politics of fandom to the inner struggles of the BBC, thousands of people have given part of themselves – and sometimes, too much of themselves – to bring this unlikeliest of folk heroes to life.

This is a story of change, mystery and the importance of imaginary characters in our lives. Able to evolve and adapt more radically than any other fiction, Doctor Who has acted as a mirror to more than six decades of social, technological and cultural change while always remaining a central fixture of the British imagination.

John Higgs is the author of several bestselling books including ‘The KLF’, ‘Live and Let Die: Bond, The Beatles and British Psyche’, ‘Watling Street’ and ‘William Blake v The World’.

‘Absolutely wonderful. The book I’ve been waiting to read since I was ten years old. Full of surprising and piercing insights . . . The first thing I’ve come across that absolutely nails the extraordinary nature of the cultural phenomenon that is Doctor Who’ JEREMY DYSON

If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!

Róisín Lanigan is an editor and writer based in London and Belfast. Her work has appeared in i-D, VICE, The Atlantic, New Statesman, The Fence and Prospect, amongst other publications. She was longlisted for the Curtis Brown First Novel Prize in 2019, and won the Blue Pencil Agency First Novel Award in 2020.

I Want to Go Home But I’m Already There is her first novel.

Renting is a nightmare.

Áine should be feeling happy with her life. She’s just moved in with Elliot. Their new flat is in an affluent neighbourhood, surrounded by bakeries, yoga studios and organic vegetable shops. They even have a garden. And yet, from the moment they move in, Áine can’t shake the sense that there’s something not quite right about the place…

It’s not just the humourless estate agent and nameless landlord: it’s the chill that seeps through the draughty windows; the damp spreading from the cellar door; the way the organic fruit and veg never lasts as long as it should. And most of all, it’s the upstairs neighbours, whose very presence makes peaceful coexistence very difficult indeed.

The longer Áine spends inside the flat – pretending to work from home; dissecting messages from the friends whose lives seem to have moved on without her – the less it feels like home. And as Áine fixates on the cracks in the ceiling, it becomes harder to ignore the cracks in her relationship with Elliott…