Réalta, the dynamic Ulster-based Irish traditional group, will be performing on home ground for a special concert of traditional and contemporary tunes and songs.
Formed in Belfast in 2012, Réalta quickly established themselves as an exciting act on the Irish music scene, earning stellar reviews for their live performances and innovative approach to traditional melodies.
Irish Music Magazine described their debut Open The Door For Three as “A full-bodied pipe and whistle extravaganza” and summarised their follow-up album Clear Skies by writing “Réalta have grown bigger, bolder and braver and this is one of the best CDs to have come out of Ireland this year!”.
For their most recent release Thing of the Earth, Irish Music Magazine confirmed “Réalta have a sound all of their own – exciting, dynamic and addictive”.
Réalta have toured extensively throughout Europe, Asia and North America and their unique approach to the genre have made them a festival favourite. Featuring dual uilleann pipes, whistles, guitars, mandolin and bodhrán, the bands’ infectious energy, impressive musicianship, creativity and deep love for the music is evident throughout every performance.
Listeners can expect to journey through energetic reels, rhythmic jigs, soulful airs and thought-provoking songs… blending words and melodies from sources both old and new.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Dublin’s avant-garde punk sensation Meryl Streek brings his hard-hitting mix of protest, spoken word, and electronic influences to Belfast for a powerful live show at Ulster Sports Club.
Following the success of his debut album, ‘796’, which confronted institutional abuses in Ireland, Meryl Streek released his second album, ‘Songs For The Deceased’, on October 25, 2024. His music explores themes of injustice, corruption, and working-class struggles, making for a raw and uncompromising live experience.
Renowned for live performances that are both confrontational and exhilarating, Meryl Streek’s shows are described as a “weird blend, but worth listening to if you want something you’ve never heard before.”– Kerrang
“His biting, coarse Dublin delivery combined with a convergence of electronic textures and punk ethos creates an unforgettable live experience.” – Farout Magazine
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Lisa Hannigan, Gemma Hayes and Paul Noonan have always individually danced between genres as artists. Collaboration is part of the makeup of each of their careers.
Three artists who have predominantly been centre-stage in their careers, while also experiencing the other parts and spaces and instruments that populate a band; Lisa, Gemma and Paul will come together to collaborate and share their stage and their songs with each other.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Beneath the painted hues and infinite prairie skies of Saskatoon — a city in the heart of Canada — lies a soulful, creative spirit that proves there’s much more to the so-called ‘fly-over states’ than grassland and grain silos.
Katie Tupper, an indie R&B musician, embodies that spirit and is determined to show there’s an entire world of boundary-pushing music at work within the often overlooked region.
Tupper’s two EPs of heartland soul – 2022’s Towards The End, and 2023’s Where To Find Me – have amassed 11 million streams world wide, a JUNO Award nomination, the praise of tastemakers like Zane Lowe, and international radio spins from BBC 6Music (UK), FIP (France), and CBC (Canada).
More recently, Tupper’s covers of everything from Hall & Oates to Jazmine Sullivan have gone viral on social media earning nods from superstars like SZA and Joe Jonas.
Katie Tupper returns with “Outside The Gate,” a devastatingly beautiful track about facing the reality of how you show up for someone you love. Reflecting on the song, Katie says, “I think more people need to feel allowed to admit that we will never be perfect in our relationships even when they are everything we’ve wanted.”
And admit she does, with each poignant repetition of “I think I’m broken,” hitting deeper every time, giving a raw and beautiful testament to love’s imperfections.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
“I Wouldn’t Say It If It Wasn’t True – Songs, Stories and Surprises”
Steve Wynn, leader and founder of the Dream Syndicate, will be touring the UK in May in support of I Wouldn’t Say It If It Wasn’t True, his debut book, a memoir for Jawbone Press as well as Make It Right, his first solo album since 2010.
The book details the winding path from growing up a music fan and pre-teen bandleader in Los Angeles through the formation and ultimate dissolution of the Dream Syndicate at the end of their first era in 1988.
There are stops along the way for tales of cross-country greyhound trips to track down Alex Chilton to wild, off-the-rails tours with U2 and R.E.M. and the epic heart-of-darkness making of the band’s controversial second album Medicine Show and plenty more.
The album is a similarly, reflective and intimately revealing collection, written and recorded in tandem with the writing of I Wouldn’t Say It If It Wasn’t True.
Wynn promises a one-man show blending songs from and inspired by the book along with a narrative structure of readings from the book and storytelling, adjunctly extrapolated from those passages.
Fans can expect a selection of evergreens and rarities from the Dream Syndicate’s 80’s catalogue along with illuminating covers and reflective numbers from the new album as well, all adding up to one tall tale of a past revisited.
Steve says, “I don’t see this show as a stodgy reading or as a random selection of songs but rather a tiny play of sorts, a way of giving a flesh and blood companion to the book. I’m looking for that magic place where, say, Lenny Bruce and Spaulding Grey and Ray Davies and Bob Dylan and maybe Hedwig might meet in a dimly lit cabaret on the back streets of Hollywood. I’ve never done this kind of show before but if I can hit all those markers, I’ll be happy.”
Steve Wynn will be selling and signing copies of I Wouldn’t Say It If It Wasn’t True (book) and Make It Right (CD/LP) after every show.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Anika a.k.a Annika Henderson is a hybrid artist. The former journalist made a name for herself in the electronic music scene, with her experimental sound collages, confrontational texts and unique way of performing live solo.
Her breakthrough came in 2010 with the release of the cult-hit, experimental LP, Anika (Stones Throw /Invada), which she recorded with Bristol band Beak, a wholly unplanned affair, which began her ongoing investigation into the music, film, poetry and arts scenes. One of her most know songs remains “I Go To Sleep,” a cover of The Kinks’ 1965 classic.
The debut was followed by “Change” in 2021, an album full of heightened frustration buoyed by guarded optimism spread across nine tracks.
She is founding member of Mexican psych-band, Exploded View (Sacred Bones) and has worked across the arts with the likes of punk legends Gudrun Gut and Beate Bartel (Malaria!, Liaisons Dangereuses), Tricky (Massive Attack), Jim Jarmusch, Soundwalk Collective, Shackleton, Clark (Warp), PBDY (Brainfeeder), performance artist Melanie Jame Wolf, n.b.k gallery Berlin, Poet Ricardo Domeneck, computer programmer Raoul Sanders/A.I (The Writing Robot. 2017), fashion house Jil Sander and light artist Philipp Geist.
Her latest releases include the hopeful pop-indie album, ‘Change’ (2021), a video art experiment called ‘Anika – Alone In The City’ in collaboration with n.b.k gallery in Berlin, and her guitar, synth driven psychedelic experimental live album Eat Liquid.
She has performed extensively since 2009, with and without band, in renowned venues and festivals across the globe, such as the Portishead-curated All Tomorrows Parties in New Jersey and London, Moog Festival, alongside the likes of Suicide, Tangerine Dream, Silver Apples, and Moebius, Mexico City’s Normal Festival, Tehran’s Tadaex, Berghain, Atonal festival, SKIF St Petersberg, and WWWX Tokyo among others.
She interweaves dub, post-punk, and psychedelic, with shadows of dnb and a strong emphasis on the voice. Henderson operates as a writer, composer, musician, DJ, photographer, radio host and video-director.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Created to commemorate the 20 plus years that have passed since DC-based post-hardcore band Fugazi’s last live appearance (4th November 2002, at London’s Forum), the incediary WE ARE FUGAZI FROM WASHINGTON D.C. comprises crowd-sourced, fan-recorded live shows and rare archive footage of Fugazi curated by Joe Gross, Joseph Pattisall and Jeff Krulik.
Explicitly billed as a “non-documentary”, the film pays tribute to Fugazi’s prowess as a live act – for old fans to remember and for a new generation to discover what they missed. This unique archival assemblage celebrates the fans and their cameras, as much as the band itself – a collision/collusion of the ephemeral moment on stage, and the moments captured on camera.(Photograph: Shawn Scallen)
“Fan-sourced film captures legendary US punks in all their glory!
Even plucked from the archives, these are the best gigs you’ll see in 2025″ Tara Brady, IT Review
“The film shows that live music can be a weapon for change. It’s hard to imagine a better cinematic way to pay homage to the band. Smart, artful, and alive — a remarkable cinematic representation of a band that could only be Fugazi.” LOUDER THAN WAR
Profits from the event will be donated to a local charity
Growing up in Los Angeles, Jerron Paxton would sit with an ear by the radio, eagerly absorbing the nuances and history of Black American traditional music that connect him to his ancestral roots in the South.
A songwriter, inheritor of tradition, and a walking, talking jukebox, Paxton approaches his craft with equal part wit and reverence, with a knack for leg-pulling and cracking wise.
Things Done Changed is an album of original songs that sound beamed in from nearly a century ago, when jazz and blues were performed as a means of both personal and cultural survival. Lick by lick, Paxton builds a bridge between generations gone and generations to come, singing the heartaches and joys of the past and present.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Reared on diet of Rhythm & Blues, Funk, Jazz, Pop and Ska, The Tibbs bring a unique blend of garage soul that could be traced back to the Detroit and Philly sounds of the ’60s and ’70s. A retro style infused with a distinctive Tibbs formula.
The Tibbs originally took off in 2012 – fronted by the amazing Elsa Bekman – covering a lesser trodden path, combining special soul classics with rare beat instrumentals. Their increasing popularity quickly led to a natural desire to expand their repertoire, beyond the confines of others’ inspirational endeavours towards their own soulful creations.
The resulting EP Cleaned Out debuted in 2014. Later that year, the German funk and soul label Tramp Records released their debut single – Footprints in the Sand / Cleaned Out – delivering deserved international airplay for The Tibbs. Two years later, famous Italian label Record Kicks released The Tibbs’ first LP, Takin’ Over.
Though the talent was obvious much earlier, the release of Takin’ Over delivered the band far richer rewards. Playing sold-out venues in both Milan and Frankfurt, The Tibbs’ profile rose further still with wonderful festival performances in Germany and Hungary, followed by a successful soldout tour of Spain.
After some deliberation, in late 2018 Elsa decided to follow her heart and focus on a solo career. The Tibbs duly began their search for a truly worthy successor, bringing astonishing vocalist Roxanne Hartog and the band together for the first time. With a selection of incredible new tunes and an album (Another Shot Fired) drawing fantastic reviews, The Tibbs played sold-out shows in The Netherlands, Italy, Germany and Spain.
In January 2024 their latest album Keep It to Yourself came out, a true tour de force that left listeners awe-inspired, foot-tapping and heart-soaring. On this 12-track album The Tibbs once again prove that the passionate sounds of the past can have a fresh and vibrant place in the music of today.
Whether you’re a devoted soul aficionado or new to the genre, just get ready for a musical journey that will revive your spirit! Keep It to Yourself was selected by Craig Charles for his ‘Best of 2024 Show’ on BBC Radio 6.
The Tibbs are: Roxanne Hartog – vocals
Henk Kemkes – guitar
Anton Titsing – Hammond / keys
Michael Willemsen – bass
Bas de Vries – drums
Berd Ruttenberg – baritone sax
Frank Stolwijk – tenor sax
Siebe Posthuma de Boer – trumpet
‘Every track blazes with the ferocity of a close-knit band of players in perfect sync.’Uncut Magazine (UK)
‘The Tibbs deliver a Vintage Soul Scorcher.’Clash Magazine (UK)
‘The Tibbs have raised the bar to where it was not thought possible: Roxanne Hartog’s voice soars over a Hammond organ and a breathtaking brass section, the bass grooves like never before.’ ****1/2Rolling Stone Magazine
‘It’s a TUNE!!!’Craig Charles, BBC Radio 6
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
A founder member of some of the finest bands to emerge from Belfast in the past fifteen years (Sea Pinks, Girls Names), Neil Brogan has been quietly putting out home recorded solo recordings since 2020. Last summer he went into a studio in Belfast with a three piece band, (including ex Sea Pinks friends Davey Agnew and Gary Cummins) and knocked out a new record in a day.
That record, “Neil Brogan Band”, will be released on April 4th 2025 and Strange Victory, in association with CQAF, is delighted to host the Belfast launch show on May 3rd with the excellent Daisy Chain in support.
On Bank Holiday weekend, Sunday May 4th, Belfast Underground/CQAF take over the Deers Head Music Hall with the Belfast Legend Iain McCready , one half of the famous Sugar Sweet duo , digging through 30 years of vinyl House Classics for your listening pleasure.
Support comes from Belfast Underground Records Head Honcho Gary “ Dilly “ Dillon , Eamon Beagon & Marty McAllister. Expect to hear Era defining House Tunes from the mid 80s to the present day.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
To celebrate the launch of their acclaimed new album “Crescent Nights”, The 4 Of Us return to CQAF to perform songs from their latest release, as well as familiar classics from an extensive back catalogue.
Hailing from Newry, Northern Ireland, The 4 Of Us has been captivating audiences for over three decades with their soulful melodies and compelling lyrics. With brothers Brendan and Declan Murphy at the helm, The 4 Of Us has left an indelible mark on the Irish music scene.
Their journey began in the late ’80s, and since then, they’ve evolved into one of Ireland’s most beloved and enduring musical acts. Known for their distinctive sound that seamlessly blends rock, folk, and pop influences, The 4 Of Us has produced a string of hits that have become anthems for fans across generations.
‘As well-crafted and evocative as anything they’ve done before’– The Irish Times
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Formed in 1979 on the borders of Mali and Algeria, Tinariwen are world renowned as pioneers of the assouf style (“nostalgia” in tamashek). They address Tuareg people’s preoccupations in songs that mix traditional West African and Arab music with blues, folk and other influences.
Tinariwen singlehandedly invented a guitar style that has captured the world’s imagination. They call it ishumar or assouf. The rest of the planet has come to know it as the Tuareg blues. Its music that is imbued with sorrow and longing but it’s also music for forgetting our cares and for dancing. Far more than just a rock band, Tinariwen are ambassadors for their people and a way of life in tune with the natural world that is under threat as never before. Their message has never sounded more urgent and compelling than it does now.
Since gaining international recognition in the early 2000s, they have played more than 1100 shows around the world and released nine studio albums, three of them nominated for a Grammy, including Tassili, which won the award for Best World Music album in 2012.
“To say their music is captivating is underplaying it massively; it pulls you in and takes you on a desert journey, the lilting blues trance and the interplay between guitars and bass, percussion and vocals all creating a sensuous and pleasingly hazy mood.” – Louder Than War
A rock’n’roll sensation from the word go, Danish-Brazilian The Courettes are back with their fourth and best album to date – The Soul Of… The Fabulous Courettes. This time, they’re bigger, wider and deeper than ever before as they add more to the blistering ramalama that’s seen them cause pandemonium across the venues, festivals and airwaves of the UK, Europe, USA and Japan.
Hitting the sweet spot that straddles garage rock, girl groups, doowop harmonies, heartache and all points in between, here The Courettes build on the momentum of predecessor ‘Back In Mono’ with a collection of songs that opens up their sonic scope while confronting dark, emotional matter to reveal ‘The Soul Of The Fabulous Courettes’.
Having evolved with each album release, The Soul Of… The Fabulous Courettes draws inspiration from many of the duo’s numerous idols that have only previously been hinted at. From the glorious opening beats and stabbing fuzz honks of ‘You Woo Me’ to the closing emotional tugs of ‘For Your Love’ via ‘SHAKE!’’s fuzzed-up urgency and ‘California’’s celebratory warmth, The Courettes have broadened their sound with an increased musical instrumentation and overall sophistication that’s evident in both their sound and songwriting.
“The Soul Of… The Fabulous Courettes blends two things,” explains Flavia. “First, of course, are the nods to the soul music and especially Motown, which is pop music the way we like it. But I think for the first time, lyrically, we actually open up to some deeper topics. It’s not disguised as teenage heartache songs anymore.”
For all that, The Soul Of… The Fabulous Courettes is an album aimed as much for what’s below the neck as above it, for this is an album that dances through the darkness to celebrate the joy that is living. “Life is so fragile,” smiles Flavia. “But what are you supposed to do? I’d rather dance.” And what better album to do that to?
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
We’re seriously excited about this. The Magic Numbers comprise of two pairs of siblings (Romeo and Michele Stodart, Sean and Angela Gannon) who are known for their unique harmonies, melodic hooks, songwriting craftsmanship and timeless sound.
Their Mercury Prize-nominated self-titled debut album was released in 2005 to outstanding critical acclaim, and contained top ten hit singles such as ‘Forever Lost’, ‘Love Me Like You’ and ‘Love is a Game’. It went on to sell over a million copies worldwide, making them one of the nation’s best-loved bands.
They have earned a reputation for their exciting and uplifting live performances, leading them to tour the world, building a loyal fan base, as well as supporting the likes of Neil Young, Brian Wilson, Radiohead, The Flaming Lips, The Who, U2, Elbow and Bright Eyes amongst many others. The Magic Numbers have released five successful albums to date, and are currently working on new music.
The band have also become known for their collaborations with a diverse range of artists over the years – from Romeo writing and producing songs for the late Jane Birkin, Natalie Imbruglia, Ren Harvieu to co- writing ‘Close your eyes’ with the Chemical Brothers for their Grammy-Award-winning album ‘Push The Button’, and producing Billy Bragg’s most recent album. His sister, Michele Stodart has released three critically acclaimed solo albums, and is also an award-winning artist and collaborator.
The Magic Numbers’ outstanding musicianship, blood harmonies and skilfully crafted songs, make them a truly unique, exciting and unmissable live band. They continue to tour the world building their audiences and explore new ground in the studio together producing albums.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Declared “the coolest rock star in the world right now,” by UNCUT magazine, Arooj Aftab has earned her position at the vanguard of creative music for her embrace of risk and nonconformity.
In 2024, she released her fourth solo album, Night Reign (Verve), to universal acclaim, earning a Grammy nomination for Best Alternative Jazz Album, while the song “Raat Ki Rani” was tabbed for Best Global Music Performance. The album expands on the musical universe Aftab has created over the years. Night Reign features an all-star cast of musicians (Cautious Clay, Vijay Iyer, Elvis Costello, James Franceis, Moor Mother, Joel Ross), united beneath the steady, brilliant hand of the queen of the night.
As put by the Wall Street Journal, “[Night Reign’s] beauty is self-evident, and it stands on its own” which helps explain its inclusion across so many Best of 2024 album lists. Night Reign’s predecessor, Vulture Prince, ushered Aftab into the cultural zeitgeist, including a place on President Barack Obama’s Summer 2021 playlist. Recognition for the record propelled her to a Best New Artist Grammy nomination in 2022 and a win for the song “Mohabbat.”
The following year she collaborated with Vijay Iyer and Shahzad Ismaily on a “masterclass in space,” the improvisational Love in Exile (Verve 2023), also Grammy nominated and winner of a 2023 Edison Jazz award.
Aftab spent her adolescent years in Lahore, Pakistan, the birthplace of her music-loving parents. Her viral cover of Leonard Cohen’s “Hallelujah” at age 18 aided in her passage to study jazz at Berklee College of Music in Boston, while Brooklyn, New York would be her next and most fertile workshop for creation of her genre-defying music.
Over the last few years, she has delivered “rapturous performances” at major venues and international festivals including Primavera, Glastonbury, Coachella, Le Guess Who? (which she curated), and both Newport and Montreal Jazz.
She has appeared on NPR’s Tiny Desk, Later with Jools Holland, Brodie and Mahogany sessions. Aftab has been featured in The New York Times, The Guardian, Pitchfork, Rolling Stone, The Financial Times, The Quietus, and Time, to name a few. She is a 2023 United States Artists Fellow and recipient of the Vilcek Prize for Creative Promise in Music.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Luca Fogale’s voice is impossible to ignore, elevating songs rooted in the folk tradition to soulful hymns about the human condition.
Influenced by the likes of Joni Mitchell and Bob Dylan, Luca’s reflective and sometimes melancholic songwriting pulls listeners into a deeply hypnotic meditation on redemption and transcendence.
The Canadian singer-songwriter is a two-time JUNO nominee (Canada’s Grammy equivalent) and his catalogue boasts over 250M streams.
Luca has released 3 acclaimed full-length albums – Safety (2016), Nothing is Lost (2020), and Run Where the Light Calls (2023). Luca has toured with Dermot Kennedy and Brett Eldridge and has headlined shows across Canada, the US, UK, Europe, Australia, and Japan.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Six years after their last studio album, Taylor Kirk’s Canadian band Timber Timbre finally releases a new record, “Lovage”- his most accomplished and engrossing album to date.
“Lovage” is an album marrying perverted piano ballads and spiritual jazz interludes on islands of exotica and psyche-prog with Spectoresque girl-group cabaret. Recorded in 2022 in Quebec with Mike Dubue (Hilotrons), the album features Olivier Fairfield (Fet Nat, Andy Shauf) and members of the Voices of Praise gospel choir (Howe Gelb).
Since releasing and extensively touring “Sincerely, Future Pollution” (2017), Taylor Kirk has been busy working as a producer on several full-length LP’s, including Joseph Martone’s “Honeybirds” and the sophomore recording “Nightshades” by This Lonesome Paradise.
Timber Timbre have quietly released two cassette-only EP’s, “I Am Coming To Paris” and “The Dissociation Tapes Volume1”. Finally returning with a new full-length entitled “Lovage,” the most accomplished and engrossing Timber Timbre album to date. Which isn’t to say that Taylor Kirk has merely refined his working methods. In fact, “Lovage” is a bona fide masterpiece, as Kirk manages to combine disparate influences that would otherwise seem mutually incompatible.
Together with producer-engineer Michael Dubue, he reconciles Brian Wilson’s rich sonic palette with the amused melancholy of Leonard Cohen. Kirk admits to revisiting Sun Ra, Dorothy Ashby and Alice Coltrane, as well as Italian singers such as Pino Daniele and Paolo Conte, which might explain the cinematic lightness of the new album.
Kirk returned to his native Ontario in 2019 after spending a few years in Quebec and Texas. He made it back just in time to sit out the Covid pandemic and regroup. “I moved back to Ontario where I had grown up, a place I left 20 years ago and swore I’d never return to. ‘Holy Motors’ is an homage to this place I love and hate-but also love to hate,” he says of the town where he spent the lockdown. “But it’s a good place to be trapped”.
One could say the same of the sonic landscapes he evokes on “Lovage”. It’s a wonderful album to be trapped on, a modern masterpiece for troubled times one will find oneself returning to again and again.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
American singer-songwriter Sarabeth Tucek returned in 2023 after a decade-long intermission with the new moniker SBT and her long-awaited third album ‘Joan Of All’, which was issued world-wide on her own imprint Ocean Omen.
After the first single “The Gift” received heavy play on BBC Radio 6 Music courtesy of Marc Riley, Gideon Coe and Cerys Matthews, anticipation for the new double-album kicked into high gear, and it did not disappoint, hailed by critics and fans alike as her masterwork.
She followed up by mounting three full-band tours of the UK which saw her perform the epic ‘Joan Of All’ in its entirety. SBT now returns to the UK and Ireland in April/May 2025 for a very special, intimate set of acoustic shows with her longtime producer Luther Russell which will cut a swath through her whole catalog, including her classic self-titled debut, the much beloved sophomore album ‘Get Well Soon’ and of course the genre-defying, ‘Joan of All’.
Ben de la Cour
With songs that explore life’s murky corners and shadowy characters, Ben de la Cour’s music occupies the intersection between gothic Americana and dark, gritty folk.
Albums like Ben’s 2012 debut, Ghost Light and 2018’s career-shifting The High Cost of Living Strange chronicled not only that deep sense of restlessness but also his various attempts to wrestle his own vices into submission. The result is a haunting, harrowingly personal version of folk music that earned praise from outlets like American Songwriter and NPR.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Michael Cera Palin are an emotive indie-punk trio from Atlanta, GA. The band are noted for consciously vulnerable lyrics, a cathartically catchy sound, and an impassioned live show, all forged through a decade of cutting teeth in the genre-fluid arts landscape of their home.
MCP released two EPs from 2015-2018 before a premature hiatus. After derailed ambitions for their 2020 return (now to a notably larger listenership than they had previously left behind), the band retreated from the social dimension of the community to begin carving their new chapter, and finding a voice of their own.
They then released 2 singles, before starting toward an accelerating tour ethic since 2022, diligently assuring fans along the way that a debut full-length album would be with them in due time.
Whether owed to or despite their limited output, Michael Cera Palin’s work continues to accrue fervent support, with mounting anticipation of their new material.
Hayden Thorpe came to prominence as the lead singer and chief songwriter for the much-celebrated band Wild Beasts who released five acclaimed albums on Domino Records before disbanding.
Hayden has since released three solo albums on Domino; Diviner, a critically adored work of solitude and fragility. Sophomore album Moondust For My Diamond, a work that is galvanising, reassuring, elegant, seductive and oozing in Big Cosmic Energy.
September 2024 saw the release of Ness, an album of rare ambition and singular beauty made in collaboration with best-selling nature writer Robert Macfarlane.
Known for his distinctive voice and sultry compositions, Thorpe’s return to Cumbria marks a new era for his craft reflective of the natural environment he lives surrounded by.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Niamh Bury is one of the most exciting new voices on the Irish folk scene. Her debut album, Yellow Roses, was released in March 2024 – quickly stirring hearts, receiving wide critical acclaim and earning #3 on Mojo’s Best Folk Albums of 2024 list. Niamh’s richly-textured folk sound and singular vocals has lead her to share the stage with acts Ye Vagabonds, Flyte, Maddison Cunningham, Dermot Kennedy and Martin Hayes.
Nominated for Best Emerging Artists at the 2024 RTE Folk Awards, Niamh is one of the chief organisers of the iconic traditional singing session ‘The Night Before Larry Got Stretched’, which famously takes place in The Cobblestone pub, and whose founders include members of Lankum and Landless. Along with ØXN and Lemoncello, she is one of the first new artists in almost two decades to be signed to Ireland’s most culturally important record label, Claddagh Records.
Praise for Yellow Roses:
“Think folky Cat Power or sun-drunk Weyes Blood and prepare to be transported.”Mojo ⭐️⭐️⭐️⭐️
“Bury’s vocal style is reminiscent of Laura Marling and Lisa Hannigan’s, her diction highly distinctive and her phrasing impeccable.”The Irish Times ⭐️⭐️⭐️⭐️
“‘Yellow Roses’ poses itself as an immaculate debut album from quickly rising folk wonder Niamh Bury.”Golden Plec ⭐️⭐️⭐️⭐️⭐️
“The effect of immersing yourself in the record is holistic, like gazing up at a sweeping fresco, the detail so magnificent it’s impossible to decide where to lay your eyes first.”Hot Press – 9.5/10
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Noah Gundersen has been writing and recording music since he was 13, working his way from teenage hardcore and indie rock to the creation of his own distinctive strain of bold, genre-busting songcraft.
Noah takes vulnerability to a new level on brand new full-length studio album, If This Is The End. Gundersen’s first offering since 2021’s A Pillar of Salt. Born out of a soul-searching period in Gundersen’s life where he was working a construction job after having enjoyed a fruitful career in music, the songs on If This Is The End detail the regret and failure of those years, but it also highlights his new found outlook on hope and the transformative power of love.
“I found myself disillusioned with the industry and no longer knew my place in it,” Gundersen recalls. “The world around me has changed rapidly and I sometimes have difficulty grasping it. There were moments when I felt I had lost the wind from my sails, but I still love creating music and I love these songs.”
Along with his recorded canon, Gundersen – who also maintains membership in Seattle indie rock heroes Young In The City and the all-star Americana collective known as Glorietta – has spent much of his adult life on the road, performing as headline act and support to like-minded artists spanning Emmylou Harris, Lucinda Williams, Beck, City & Colour, and Josh Ritter.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
With special guests: Barbara Dickson, Nick Holland, Eilidh Patterson, Ronnie Greer, Brigid O’Neill, Ciaran Lavery, *Ken Haddock, Clive Culbertsonand superb house band, MD – Matt McGinn
In the early 2000’s, much-loved and missed BBC presenter Gerry Anderson began to play a song called ‘Sailortown’ on an almost daily rotation. This beautifully simple song quickly found a home in the hearts of Anderson’s audience as each listen brought them on a wonderful journey of love and nostalgia with the backdrop of the Troubles and a thriving music scene.
A love affair had begun between the people of Northern Ireland and prolific songwriter and singer, Anthony Toner.
‘Without Gerry’s support at that early stage,’ says Anthony, ‘I’m honestly not sure if I would ever have been able to create an audience. Certainly not as quickly as I did, with that song.’
Some decades, and over a dozen albums later, Anthony has reached milestones in his career, and now his life…
…Anthony Toner turns 60.
Reflecting on this incredible journey Anthony is incredibly proud of not only his vast body of work but the friends and musical collaborators he has met along the way.
‘As a teenager, I watched bands at work and dreamed of being part of a musical ‘family’… so the relationships I’ve built with so many immensely talented musicians has become a joy to me.’
On this very special evening we will celebrate the work and the relationships with Anthony, an outstanding house band and a vast array of special guests who will enjoy exploring and interpreting the immense Anthony Toner catalogue.
Join us for this special one-off event and celebration like no other.
*Due to scheduling, Ken Haddock will be replaced by Ciara O’Neill on the Saturday 10 May performance
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
For the past 30 years, James Lavelle has been at the forefront of global club culture. Known as much for his eclectic DJ sets as for his production work with UNKLE, Lavelle has been lauded as a highly influential tastemaker and musical curator.
Alongside a successful DJ career Lavelle continues to produce albums under his UNKLE moniker, working with a myriad cast of musical collaborators including Thom Yorke, Michael Kiwanuka, Mark Lanegan, Massive Attack, Brian Eno and Josh Homme.
The most recent full length UNKLE album, The Road: Part II / Lost Highway topped the Billboard Electronic Album chart in 2019. With UNKLE, Lavelle has won the MPG Award for remixer of the year four times in the past seven years and has reworked tracks for artists as diverse as Beck, London Grammar, Radiohead and Wu-Tang Clan.
In 2014, Lavelle was asked to curate the iconic Meltdown on London’s South Bank, joining a long list of musical luminaries such as David Bowie, Yoko Ono, Massive Attack, Nick Cave and John Peel, amongst others, something he described as one of his career highlights.
Lavelle’s long interest in the visual arts led him to create the ‘Daydreaming With…’ exhibition series back in 2010. This celebration of creativity and innovation in all its forms, aimed to create a unique and multi-sensory experience pairing music with art in a wide range of disciplines, including film, photography, fashion, performance, painting, street art, sound, and sculpture combined under one roof to create the ultimate multi-sensory environment. One such incarnation saw Lavelle curate ‘Daydreaming with Stanley Kubrick’, a blockbuster exhibition at London’s Somerset House in 2016, that featured contributions from artists such as Anish Kapoor, Sarah Lucas, Gavin Turk, Thomas Bangalter and many more.
2018 saw the release of ‘The Man from Mo’Wax’, a critically acclaimed documentary film about Lavelle’s career, that saw a major release with the BFI, as well as showings at several international film festivals.
March 2021 saw UNKLE release the first in a two-part mixtape project, Rōnin I, which featured the singles ‘Do Yourself Some Good’ and ‘If We Don’t Make It’, both A Listed at BBC Radio 6Music. 2022. UNKLE followed this up in August 2022 with the release of Rōnin II, the second part of the project.
2023 saw UNKLE return to touring following the pandemic, with shows across Europe. Lavelle curated, DJed and performed the UNKLE Rōnin show with bespoke visuals at Hydra’s closing party held at London clubbing institution Printworks before it shut its doors at the end of April. Autumn saw UNKLE take the Rōnin show across the Atlantic returning to the USA and Mexico for a tour as well as DJing across the globe.
Throughout 2024 the UNKLE Rōnin show went from strength to strength with dates across the world. 2024 has seen UNKLE perform to massive crowds in China at Bubbling & Boiling Festival in Tianjin and at Kiloglow Festival in Hangzhou, a headline slot at the infamous Secret Garden Party festival, dates in Latvia, in Germany, and a hugely successful UK tour culminating in a packed show at London’s Outernet in the autumn. Lavelle continues to DJ with shows in Europe and the UK as well as DJing at and curating a special “Invites” night celebrating Fabric’s 25th anniversary.
As we head into 2025 James is back in the studio writing a new album, continuing touring and excited about what the next chapter for UNKLE will bring.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
“The Morricone Experience” is a tribute to the late maestro of film music who wrote over 400 film compositions in his lifetime, including the scores for audience favourites “A Fistful of Dollars”, “The Good the Bad and the Ugly”,” Cinema Paradiso”, and “The Mission”.
The ensemble comprises acclaimed solo international artists residing in Ireland. These include Dundalk locals Annemarie McGahon (viola), Francesca De Nardi (violin), Davide Forti (cello) and Annalisa Monticelli (piano) and Dubliners Katy Kelly (soprano) and Morgan Crowley (tenor).
Featured on RTÈ’s Arena, this ensemble played to a sold-out crowd in the Pavilion Theatre & Castletown House and are touring theatres throughout Ireland until the end of 2025.
Following on from last year’s unforgettable performances at The American Bar and a year that has seen him bring his joyous, uplifting sound to many rooms, festivals, and dancers across Europe, Moving On Music is delighted to welcome Irish based Kurdish/Syrian singer and Bouzouki player, Mohammad Syfkhan, back to Belfast.
Mohammad Syfkhan’s own brand of ecstatic music takes elements from Middle Eastern and North African music to create an atmosphere of joy, love and happiness.
Since arriving in Ireland, Mohammad has used the language of music to integrate into the local community by playing at private parties and concerts. He has been playing music since the 1980’s, while living in the city of Raqqa, Syria where he began working as a professional singer and started his own band, The Al-Rabie Band, which played concerts, parties, weddings and festivals all over Syria.
His debut album ‘I Am Kurdish’(“A record that truly slaps” – The Quietus) came out through Nyahh Records in February 2024 and led to performances at Lankum’s ‘In The Meadows’ festival, Other Voices, the Venice Biennale, and on the Tommy Tiernan show, to name but a few.
“Syfkhan takes his domestic influences and fuses them with music from beyond those regions, from North African folk rhythms to Turkish psychedelia. It’s a glorious alembic not bound by borders, where Mohammad himself brings a cultivated exuberance to his playing that belies his vintage.”– The Quietus
”No one could be left sitting to this” – Klof Mag
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
This will be special. Andy Irvine is one of the great Irish singers, his voice one of a handful of truly great ones that gets to the very soul of Ireland. He has been hailed as “a tradition in himself”.
Musician, singer, songwriter, Andy has maintained his highly individual performing skills throughout his over 50-year career.
Andy has been at the helm of legendary bands like Sweeney’s Men in the mid 60s, to the enormous success of Planxtyin the 70s, and then Patrick Street, Mozaik, LAPD and recently Quilty. Andy has been a world music pioneer and an icon for traditional music and musicians.
As a soloist, Andy fills the role of the archetypal troubadour with a show and a travelling lifestyle that reflect his lifelong influence, Woody Guthrie.
To quote the Irish Times, “Often copied, never equaled”, his repertoire consists of Irish traditional songs, dexterous Balkan dance tunes and a compelling cannon of his own self-penned songs.
Between the achievements of his solo, group work and collaborations, he is a highly revered troubadour of the Irish music world. Andy never fails to deliver a pulsating, heartfelt performance.
‘Andy Irvine’s solo stage show is a musical travelogue through time and space. His right hand dexterity on bouzouki was nothing short of amazing.’ – FRETS MAGAZINE
‘His artistry is quite simply unique.’ – THE INDEPENDENT
Tá clú agus cáil tuillte ag Taylor Swift ar go leor cúiseanna. Tá bua na cumadóireachta aici, gan amhras, agus í thar a bheith cumasach ag insint scéalta grá: an lúcháir, an briseadh croí agus an meascán mearaí a bhaineann le grá na ndéagóirí; an bhá a bhí aici lena máthair nuair a buaileadh tinn í; amhráin ghreannmhara faoi dhíoltas a bhaint amach ar lucht a cáinte; na fuaimdhreacha áille in folklore agus evermore agus na beathaisnéisí atá fite fuaite ina chéile i mbaile beag Meiriceánach.
Is é atá in SREANG DHOFHEICTHE ná cnuasach speisialta dá cuid amhrán agus iad traschruthaithe i nGaeilge ag Gabriel Rosenstock agus Róisín Seoighe. Is iad Róisín Seoighe X IMLÉ agus Jessie Dingle a chuirfidh i láthair iad. Mar chuid den seó, beidh íomhánna ar scáileán le Margaret Lonergan.
SREANG DHOFHEICTHE is a special weave of songs from Taylor Swift’s critically acclaimed albums, folkore and evermore, with their intertwined narratives of life and love in a small American town.
Translated into Irish by Gabriel Rosenstock and Róisín Seoighe, the beautiful aural landscapes of these albums will be recreated live by Róisín Seoighe X IMLÉ. And expect some surprise greatest hits selections too from special guest Jessie Dingle! Lyrics on-screen with beautiful images created by artist Margaret Lonergan.
Léirithe ag IMRAM Féile Litríochta Gaeilge | Produced by IMRAM Irish Language Literature Festival
The Bluebells enjoyed a whirlwind career spanning the early 1980’s with a recording output including three U.K. hit singles. “I’m Falling”, “Cath” and “Young at Heart” made with a procession of producers including Elvis Costello who became a mentor and teacher to the band.
Guitarist and ex-fanzine publisher Robert Hodgens (aka Bobby Bluebell) wrote instantly memorable classics in collaboration with the two McCluskey Brothers who completed the Bluebells’ essential troika and Kenneth McCluskey sang them in a likably unaffected voice, making every track count.
With the release of their debut album “Sisters” in 1984 on London Records ,the band toured widely in Europe and North America developing their live sound and signing to Seymour Stein’s Sire Records in the U.S.
Robert and the brothers parted company amicably in 1986 with Ken and David forming and releasing records as the McCluskey Brothers while Robert concentrated on song writing duties for various other artists including Texas and the late Sinead O’Connor as well as his own group The Poems.
In 1993 when “Young at Heart” hit the U.K. No 1 spot following its use as a T.V. advert for Volkswagon the chaps met up for some fun Top of the Pops appearances.
The Bluebells are delighted to be playing again having recently received two premier Scottish Music Business Awards including “The Tartan Clef Award for Song Writing” at the star studded Nordoff –Robbins charity annual fund raiser at Glasgow Barrowlands.
Following the re-release of the Classic album repackaged “Sisters” album on the Last Night From Glasgow The Bluebells were encouraged by the label and fans to record new material which has manifested itself in the excellent new album “The Bluebells In The 21st Century” released in April 2023.
Bobby, Ken, and David are currently performing a variety of acoustic gigs as a three piece.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
The Spitfires are a UK band known for their high-energy performances, sharp melodies, and dynamic sound. Originally formed in 2012, the group quickly gained a reputation for their distinctive style, combining punchy guitar riffs, infectious rhythms, and socially conscious lyrics. Their early releases caught the attention of both critics and fans, earning them a loyal following across the UK, Europe and beyond.
Over the years, The Spitfires released a series of well-received albums – Response (2015), A Thousand Times (2016), Year Zero (2018), Life Worth Living (2020) and Play For Today (2022). The band toured extensively, building a reputation for their electrifying live shows and ability to connect with audiences through their raw, honest music. Their songs have always reflected a deep connection to the themes of personal and social change, often exploring the complexities of modern life.
After a decade of working together, the original line-up announced they were to split up in 2022, bowing out at their final performance at a sold out Electric Ballroom, London in February of that year.
But the band’s story is far from over. In 2025, The Spitfires will be reforming with an exciting new line-up, ready to share fresh material with fans old and new. With a renewed sense of purpose and a bold new direction, the band is poised to make their return with a sound that promises to be just as powerful and relevant as ever.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Rachel Sermanni is a Scottish based singer/songwriter that makes the mundane moments mystical: shock-positive pregnancy tests in train-station toilets, coffee machine breakages, cold river swims, the regret of not saying ‘I love You’, the moon & how it pulls, bare feet on wood floors, the soft glow of a house plant, ‘what even is consciousness?’, strange dreams lingering in quiet mornings…
She brims with dreamy indie-folk pop that speaks of the struggle and desire to Flow, to love, to live, to feel. Sometimes, her songs speak of the rare moments of quiet-still, found in the midst of this struggle & desire.
Rachel’s most recent offering is her 4th studio album : Dreamer Awake. An in depth assortment of playful and candid vignettes, peeping into life: after birth, after separation and in the wake of recognising the internalised conditionings of patriarchy. She seeks to be honest with herself and her environment. She seeks to express from this raw place. She seeks to speak from the descent, the plateaus, the dream-catchings and contemplations of womanhood.
There are no conclusions to be drawn. It is a call to arms, of sorts, to wake up and dream the future, to dismiss the external for a minute and tend to the inner landscape of heart and mind. To not be distracted. To focus on the light and the shadow in equal measure.
Since the release of Dreamer Awake, Rachel has become a mother for the second time and continues to explore this experience while offering her songs and also her insights into creativity.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Lael Neale’s minimalist drone pop draws inspiration from the Transcendentalists, the high lonesome sound of primitive American gospel music & the alienation of modern life. Since signing with Sub Pop in 2020, she has split her time between rural Virginia and Los Angeles in addition to extensive touring throughout Europe and select shows in the U.S.
In collaboration with producer and accompanist Guy Blakeslee, Neale has created two internationally acclaimed home-recorded albums. They have recently completed a third which is slated for release in 2025.
“A unique, boldly weird proposition, and one that proudly carries the faint hint of tractor grease. Half of it comes on like cult 70s folk artist Karen Dalton hanging out with the Velvet Underground and Suicide, while the rest offers somewhat more modern balladry, placing her more in the world of Angel Olsen and Cat Power.” – THE GUARDIAN
“Neale is imaginative, but she’s steeped in songwriting craft and she knows her way round a whopping chorus.”★★★★ – MOJO
“The simplicity is part of what makes her record so beautiful; just her voice, her words, her electric guitar, and her omnichord are enough to put the listener in a trance.” – SPIN
“She’s managed to infuse a very done old female singer-songwriter, emotive approach with fresh abandon. She abandons a lot of the traditional instrumentation and doesn’t often bother with a beat and just kind of lets the whole feeling of the thing go into a place that suddenly doesn’t sound like it’s of the industry. And I like her record.” – Iggy Pop (BBC Radio)
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
Bernard Butler is a Brit and Grammy Award winning musician. In 1989 he formed Suede releasing the Mercury winning debut Suede. The era-defining Dog Man Star was followed by his collaboration with David McAlmont on the anthem ”Yes”.
Two solo albums on Creation yielded a Brit nomination before producing seminal releases by The Libertines, Tricky, Black Kids, Kate Nash, James Morrison, Texas, Mark Eitzel, Paloma Faith and Duffy – spawning her Grammy and Brit Award winning debut Rockferry.
He has played guitar for Pet Shop Boys, Bryan Ferry, Roy Orbison, Bert Jansch, The Libertines, Neneh Cherry, Robert Plant and Ben Watt. Butler is Patron to the Bert Jansch Foundation and Generator NE and lectures in songwriting for the Abbey Road Institute.
In 2022 a collaboration with Jessie Buckley “For All Our Days That Tear The Heart” resulted in the shortlist to the 2022 Mercury Prize. Currently he has completed albums by Sam Lee, The Clockworks and a new solo album a solo album for 2024 release.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
A quarter of a century since his self-inflicted coronation, and self-released debut solo album, Kenny Anderson – DIY pop voyager, ancestral seaside home restorer, Fife for lifer, diamond miner, hijacker of hearts, and the man also known as King Creosote – has released over 100 records, collaborated with the likes of Jon Hopkins, KT Tunstall, Beta Band’s Lone Pigeon, and had his songs covered and performed by artists including Patti Smith and Simple Minds.
A note from Kenny –
2024’s springtime tour “Any Port in a Storm”- a mix of modular synth, I DES tracks and KC ‘classics’ was such a success that we are delighted to announce 2025’s follow up “Any Storm in a Teacup” from April-June.
This show is strictly for audiences aged 18 and over.
If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!
We are delighted to present AOIBHA as this year’s CQAF Artist in Residence. The last 12 months have seen AOIBHA begin to make a serious impact with a host of impressive support slots and a sold-out full band show.
A native of Co. Down, AOIBHA’s indie-folk textures pulse with a gothic energy that subtly echoes her love for dusky literary classics like Wuthering Heights and Jane Eyre.
AOIBHA’s music is woven with vivid imagery and soundscapes, drawing inspiration from Irish artists like Joshua Burnside and Lemoncello, whose sublime folk storytelling and haunting harmonies resonate deeply.
Details of AOIBHA’s festival slots and own headline show will be published here shortly.
“AOIBHA is a master at crafting music that exudes serenity… If there was ever music for late night listening while getting lost in your thoughts, this is it.” – Chordblossom
“The singer-songwriter’s lyrics are vulnerable but her sound is still 100% her own. This is only the beginning of AOIBHA’s journey…”–Hot Press
Photo Credit: Aaron Cunningham
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The Cathedral Quarter Arts Festival and Out To Lunch are annual festivals of music, comedy, theatre, art and literature which take place in January and May in Belfast, Northern Ireland.
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![SBT [Sarabeth Tucek] with special guest Ben de la Cour](https://cqaf.com/wp-content/uploads/Sarabeth-Tucek.jpg)
