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John Shuttleworth: Raise the Oof!

Radio 4 favourite, comedy legend, and ‘the 42nd best reason to love Britain’ (The Telegraph) JOHN SHUTTLEWORTH, is back with more hilarious stories and songs performed on his trusty Yamaha organ (with built-in auto accompaniment!) In RAISE THE OOF John celebrates 40 years in showbiz. Yes, it was 1985 when he met TV’s Clarinet Man – next door neighbour Ken Worthington who came last on New Faces in 73 (Tony Hatch crucified him!)

“When I met Ken he was eating a CurlyWurly” recalls John, “although initially I thought it was a packet of sparklers, so I gave him a wide berth”, and the rest, as they say, is hysterical!

“ Actually, I feel rather calm” muses John, “although after forty years and still no chart success, perhaps I should be slightly anxious. My wife Mary says I should get a proper job, but there’s not time – I’m about to retire! Besides, Comet – where I used to demonstrate audio equipment – no longer exists. As for the sweet factory in the Rotherham area where I worked as a security guard in the 1980’s – that’s now an Axe Throwing Centre. Oof!”

But I’m still posting off my songs (on cassette tape with Dolby so it’s not too hissy) to cutting edge pop acts like Chris Rea and the Lighthouse Family, plus I’m still being booked for nostalgic singalongs at the local hospice (for petrol money only) so we have every reason to celebrate my long and illustrious career. Do come along and join me in punching the air, and helping – in an orderly and controlled fashion – to RAISE THE OOF!

“His stand up is second to none, his timing is impeccable, and you can practically warm your hands on his good nature” The Guardian

“It remains a comic endeavour both bittersweet and laugh-out-loud funny”**** The Times February 2025

“A ludicrously compelling night out” Evening Standard

Sublime character comedy – the Guardian

Totally Unmissable – NME

 

This show is strictly for audiences aged 18 and over.

If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!

I’m With Pulp, Are You? Mark Webber in Conversation

PULP guitarist MARK WEBBER gives his unique perspective on being a fan and then being a member of the band!

When Mark Webber discovered Pulp as a teenage music fan in 1985, the band was on first-name terms with most of their limited audience. Over the next few years, Mark began to help out with stage sets and light shows, eventually becoming the group’s tour manager and running the fan club. Having been called upon to play guitar and keyboards at live shows, he was asked to join the band in 1995 and appears on the albums Different Class, This is Hardcore and We Love Life.

When Pulp went on hiatus in 2002, Mark devoted his time to curating avant-garde cinema and published several books on the subject. He’s since been part of both Pulp reunion tours and remains in the band as it embarks on more concerts in 2025.

This incredible journey —from fandom to bandom – provides the unique perspective of “I’m With Pulp, Are You?”. In it Mark gathers material from his astonishingly extensive collection of ephemera and objects accumulated over the last five decades.

The book combines images and reminiscences to chronicle an illustrated history of Pulp, told from the inside. It contains photographs, flyers, record covers, set lists, badges, posters, press clippings, and merchandise, alongside masses of promotional material from one of Britain’s most beloved bands.

“I’m With Pulp, Are You?” also features a foreword by Jarvis Cocker, and newly commissioned essays by music writers Simon Reynolds and Luke Turner.

Lisa Hannigan, Gemma Hayes & Paul Noonan

Lisa Hannigan, Gemma Hayes and Paul Noonan have always individually danced between genres as artists. Collaboration is part of the makeup of each of their careers.

Three artists who have predominantly been centre-stage in their careers, while also experiencing the other parts and spaces and instruments that populate a band; Lisa, Gemma and Paul will come together to collaborate and share their stage and their songs with each other.

This show is strictly for audiences aged 18 and over.

If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!

 

Katie Tupper

Beneath the painted hues and infinite prairie skies of Saskatoon — a city in the heart of Canada — lies a soulful, creative spirit that proves there’s much more to the so-called ‘fly-over states’ than grassland and grain silos.

Katie Tupper, an indie R&B musician, embodies that spirit and is determined to show there’s an entire world of boundary-pushing music at work within the often overlooked region.

Tupper’s two EPs of heartland soul – 2022’s Towards The End, and 2023’s Where To Find Me – have amassed 11 million streams world wide, a JUNO Award nomination, the praise of tastemakers like Zane Lowe, and international radio spins from BBC 6Music (UK), FIP (France), and CBC (Canada).

More recently, Tupper’s covers of everything from Hall & Oates to Jazmine Sullivan have gone viral on social media earning nods from superstars like SZA and Joe Jonas.

Katie Tupper returns with “Outside The Gate,” a devastatingly beautiful track about facing the reality of how you show up for someone you love. Reflecting on the song, Katie says, “I think more people need to feel allowed to admit that we will never be perfect in our relationships even when they are everything we’ve wanted.”

And admit she does, with each poignant repetition of “I think I’m broken,” hitting deeper every time, giving a raw and beautiful testament to love’s imperfections.

This show is strictly for audiences aged 18 and over.

If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!

Steve Wynn + guests Our Man in the Field

“I Wouldn’t Say It If It Wasn’t True – Songs, Stories and Surprises”

Steve Wynn, leader and founder of the Dream Syndicate, will be touring the UK in May in support of I Wouldn’t Say It If It Wasn’t True, his debut book, a memoir for Jawbone Press as well as Make It Right, his first solo album since 2010.

The book details the winding path from growing up a music fan and pre-teen bandleader in Los Angeles through the formation and ultimate dissolution of the Dream Syndicate at the end of their first era in 1988.

There are stops along the way for tales of cross-country greyhound trips to track down Alex Chilton to wild, off-the-rails tours with U2 and R.E.M. and the epic heart-of-darkness making of the band’s controversial second album Medicine Show and plenty more.

The album is a similarly, reflective and intimately revealing collection, written and recorded in tandem with the writing of I Wouldn’t Say It If It Wasn’t True.

Wynn promises a one-man show blending songs from and inspired by the book along with a narrative structure of readings from the book and storytelling, adjunctly extrapolated from those passages.

Fans can expect a selection of evergreens and rarities from the Dream Syndicate’s 80’s catalogue along with illuminating covers and reflective numbers from the new album as well, all adding up to one tall tale of a past revisited.

Steve says, “I don’t see this show as a stodgy reading or as a random selection of songs but rather a tiny play of sorts, a way of giving a flesh and blood companion to the book. I’m looking for that magic place where, say, Lenny Bruce and Spaulding Grey and Ray Davies and Bob Dylan and maybe Hedwig might meet in a dimly lit cabaret on the back streets of Hollywood. I’ve never done this kind of show before but if I can hit all those markers, I’ll be happy.”

Steve Wynn will be selling and signing copies of I Wouldn’t Say It If It Wasn’t True (book) and Make It Right (CD/LP) after every show.

This show is strictly for audiences aged 18 and over.

If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!

Anika

Anika a.k.a Annika Henderson is a hybrid artist. The former journalist made a name for herself in the electronic music scene, with her experimental sound collages, confrontational texts and unique way of performing live solo.

Her breakthrough came in 2010 with the release of the cult-hit, experimental LP, Anika (Stones Throw /Invada), which she recorded with Bristol band Beak, a wholly unplanned affair, which began her ongoing investigation into the music, film, poetry and arts scenes. One of her most know songs remains “I Go To Sleep,” a cover of The Kinks’ 1965 classic.

The debut was followed by “Change” in 2021, an album full of heightened frustration buoyed by guarded optimism spread across nine tracks.

She is founding member of Mexican psych-band, Exploded View (Sacred Bones) and has worked across the arts with the likes of punk legends Gudrun Gut and Beate Bartel (Malaria!, Liaisons Dangereuses), Tricky (Massive Attack), Jim Jarmusch, Soundwalk Collective, Shackleton, Clark (Warp), PBDY (Brainfeeder), performance artist Melanie Jame Wolf, n.b.k gallery Berlin, Poet Ricardo Domeneck, computer programmer Raoul Sanders/A.I (The Writing Robot. 2017), fashion house Jil Sander and light artist Philipp Geist.

Her latest releases include the hopeful pop-indie album, ‘Change’ (2021), a video art experiment called ‘Anika – Alone In The City’ in collaboration with n.b.k gallery in Berlin, and her guitar, synth driven psychedelic experimental live album Eat Liquid.

She has performed extensively since 2009, with and without band, in renowned venues and festivals across the globe, such as the Portishead-curated All Tomorrows Parties in New Jersey and London, Moog Festival, alongside the likes of Suicide, Tangerine Dream, Silver Apples, and Moebius, Mexico City’s Normal Festival, Tehran’s Tadaex, Berghain, Atonal festival, SKIF St Petersberg, and WWWX Tokyo among others.

She interweaves dub, post-punk, and psychedelic, with shadows of dnb and a strong emphasis on the voice. Henderson operates as a writer, composer, musician, DJ, photographer, radio host and video-director.

This show is strictly for audiences aged 18 and over.

If you have access needs, feel free to email Aoife at aoife@cqaf.com for more info—we’re happy to help!

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The Cathedral Quarter Arts Festival and Out To Lunch are annual festivals of music, comedy, theatre, art and literature which take place in January and May in Belfast, Northern Ireland.

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